Alonso berruguete biography of albert

 

To begin with he set up a workshop in Valladolid, hired a number of apprentices, and - it is said - charged prices to match his growing reputation.

Alonso berruguete biography of albert einstein In Valladolid he also made the altarpiece of the chapel of Diego de la Haya in the church of Santiago, with the central theme of the Adoration of the Kings; perfect example of altarpiece-scenario and one of his masterpieces. Would you like to send you a similar article every day? Explore the Uffizi. He was among the Tuscan Mannerists who were disciples of Andrea del Sarto and some say that he actively participated in the genesis of Florentine pictorial Mannerism.

Spain was prospering and Berruguete reportedly was determined to be accorded the same respect as that enjoyed by Italian artists. In due course, Berruguete built himself a palace in Valladolid, close by the monastery of S. Benito, for which he created one of his greatest altarpieces. He enjoyed an extremely lucrative career, and was ennobled in , some two years before his death, when the regent of Portugal, Princess Juana, gave him the village of Ventosa with its inhabitants.

Note About Art Evaluation
In order to appreciate important 3-D artists like the Spanish sculptor Alonso Berruguete, see: How to Appreciate Sculpture.

For later works, please see: How to Appreciate Modern Sculpture.

Sculptures by Alonso Berruguete

Berruguete was active initially in the Valladolid region, then later in Toledo. His best known works of Christian art include: the almost complete altarpiece for the monastery of La Mejorada, Olmedo (, now in Valladolid); altarpiece of S.

Benito (), now in Valladolid Museum; the altar of the Irish College in Salamanca (); the choir stalls in Toledo Cathedral (); the marble funeral monument to the Cardinal Archbishop Juan de Tavera at the hospital of St. John the Baptist, in Toledo (). Other works attributed to him can be found in Madrid (Palace of El Pardo), Arezzo, Uffizi Gallery Florence, Borghese Gallery Rome, Munich and Budapest.

Altarpieces

Berruguete's powerful cinquecento altarpieces typically spanned the entire apse of the church, being divided by a lavishly decorated architectural framework in which he placed his individual figures and relief panels.

In this way, he created a single dramatic spectacle of religious decoration, and above all, feeling. See for instance the emotion of Abraham and Isaac, or the suffering of St.

Alonso berruguete biography of albert During his time in Florence, Berruguete absorbed himself in Renaissance sculpture and befriended a wide range of painters and sculptors, including Andrea del Sarto and Baccio Bandinelli , and gained a deserved reputation alongside the likes of Jacopo Pontormo and Rosso Fiorentino , while completing works left unfinished by other artists, such as Coronation of the Virgin by Filippino Lippi After his father's death, Alonso studied in Italy, particularly in Rome and Florence, where he had the opportunity to meet artists such as Bramante and Leonardo da Vinci. He was associated in particular with the beginnings of Mannerism , in the same way as his father - the artist Pedro Berruguete d. It is assumed that Berruguete must have had enough knowledge of the human body, acquired by force of observation, practical studies on the natural, like his models, and possibly scientific studies made in treatises on anatomy and perhaps in the dissection of corpses, given the anatomical treatment of his sculptures.

Sebastian in the altarpiece of S. Benito. The expressionism of Berreguate's sculpture, characterized by writhing, wailing, ecstatic figures, tortured drapery and brilliant colours, reflected the religious emotionalism of the age, and it is no surprise that he was succeeded in Toledo, from around , by the equally emotive artist El Greco ().

Berruguete carved mainly in wood (painted and unpainted), as well as marble, alabaster and stone. It is believed that he carved and painted all figurative sculpture in polychromed-wood, but relied on his assistants to produce works like the alabaster Transfiguration in Toledo Cathedral () and also his last work, the monument to Cardinal Juan de Tavera.

Legacy

Berruguete's genius lay in his creation of a uniquely Spanish style of mannerist sculpture, expressing an uncontrollable passion and spiritual ecstasy which burns the soul of the spectator.